Wednesday, April 24, 2013

The Taiwan Oyster


                                                           The Taiwan Oyster

One of the best independent films that I have seen in the past year is The Taiwan Oyster.  It is the story of two American’s teaching kindergarten in Taiwan, when they experience the untimely death of another American acutance.  After finding their friends name written on the bathroom wall paired with his favorite song, the two men decide it is their duty to take his body on one last homage to find a final resting place.  As they steal their friend’s body from the morgue, they befriend the girl working behind the counter, and soon all three are out on the adventure of a lifetime.  As the party heads for the coast, emotions run high and friendships are tested, while their friend’s body acts as a tangible source for all their discomfort.  As the film progresses, it becomes obvious that the anguish these three young people experience has less to do with the dead body and more so of the lack of control they feel for their changing lives. 
            The film’s cinematography and score raise it to a level that rivals the major Hollywood studios.  The director has such power of his camera that it seems to become an extension of the main characters.  Instead of just feeling like an observer watching a dysfunctional road trip, the camera brings the audience in and gives the impression that the audience is a part of the crew.  It brings the audience in close, putting the observers right in the thick of things, becoming an active participant.  Combined with this, the score brings an intense intimacy to the film.  Lacking the big budget of Hollywood severally limited the songs available for use, allowing for an original score to set the tone of the film.  The score becomes personal and subconsciously draws the audience in closer than the cinematography could have done so alone.  These two aspects of filmmaking make this film a huge success. 
            I was a true fan of this film, and it had me on the edge of my seat until the final credits rolled.  I found the camera direction and sound track for the film to be an incredibly powerful reason for why I feel so strongly, even despite the fervent acting from the no-name actors who are just as successful.  I believe the director was incredibly successful in his attempts to convey his message.  He makes it clearly obvious that this film is much more than a road trip, but more so a life-changing journey during a difficult time in these young peoples lives.  

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